Viking apron dress

A setting I haven't played in so far, but that's no hindrance, there had to be a new dress for the upcoming yule gathering! The underdress is dark green linen, the apron dress light green linen. And it was a nice coincidence that a) they did wear shaped dresses with gores, and b) I was really short on fabric, using up scraps, so I could piece together what I had! Another good thing was that for the characteristic decoration at the front I could use those glass beads I had made ages ago, colourful but not really matching. The downside is that, being a perfectionist, I will have to tablet weave matching trim to be proper and authentic. Maybe for the next yule, if I keep playing in this setting.

For the glass bead decoration typical for this kind of dress I used beads I made in my first attempt at making glass beads - they came out quite nice but not good enough yet to be used for jewellery, so this was the perfect project. The end pieces are two large metal buttons that are pinned to the front of the dress.

Black 1660s gown

Death being a big part of life in those days, and my character already being widowed once, chances are high she has one or two mourning dresses in her wardrobe (well, in her case more like ten or so). Again I followed the 1660s pattern but I think I'm tiring of it, and there are enough mid-1600s dresses in my collection now. Off to new horizons! Anyhow, this dress is made of black satin of unknown material, most likely some mixture of natural and artificial fibres. Drapes very nicely. Actually there's a black chemise to be worn beneath it, but I was in such a hurry before the event where the picture was taken that I forgot to pack it, so it looks a bit bare (as far as five metres of fabric can look bare).

And after four attempts with the pattern I've finally figured out the perfect way of sewing in the hooks and eyes :P The trick - at least with my sewing machine - is to take off the presser foot, put the stitch to buttonhole end-stitch and place the presser manually along the halves of the ready-made hook and eye closure where you want the needle to sew. And in the case of this particular dress pattern: work the stiffened interlining, sew upper fabric and lining (NOT the interlining!) together at the front only, place it over the interlining and zig-zag the lining in place along the front, leaving the upper fabric loose.

Upper and lining sewn, just lining zig-zagged to interlining.

Pin the hook and eye stuff to the lining + interlining very neatly so the closures are even with the edge. Sew on leaving the upper fabric untouched - you don't want all those stitches showing on your top layer. 

Top layer folded back, closure exactly along the edge

Eyes pinned, upper fabric untouched

Hooks sewn (left and right of the hook and once in between)

Then, only when the closure is sewn onto lining and interlining, you can either sew the neckline of lining and top layer from the back and turn over, or pin it from the right side, fold the upper fabric over the neckline and sew it by hand. I do the latter with the bottom front that goes over the skirt to smooth out all creases.

Ok, maybe I'll have to do yet another 1660s and take pictures of this process, using a fabric that's not black on black...

Proper pictures at last, this time WITH chemise (and himation, as the second ball's motto was "Olymp" and my charakter Eurydike). The himation is just a rectangle of fabric 2 x 1,50, black ribbon sewn two-faced all around the edges, pinned to shoulder and hip, pins hidden under lavishly layered bows (to use up the godforsaken ribbon that I really came to hate while trying to get straight seams with this stuff).